The original French version of Francis Bacon: The Logic of. Sensation was published in by Editions de la. Difference as a two-volume set in their series La. Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality. Francis Bacon. The Logic of Sensation. •. Author: Gilles Deleuze Translated by Daniel W. Smith Introduction by Daniel W. Smith Afterword by Tom Conley.

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Francis Bacon: The Logic of Sensation

This website uses cookies to improve user experience. Jul 11, Massimiliano Mauro rated it it was amazing. Are YOU ready to become a disorganized piece of butchered meat? Contents The Round Area the Ring.

Francis Bacon

Deleuze, Bacon and the Challenge of the Contemporary. Triptychs, Eternity and the Spirituality of the Body. Notes to self of the major notions and quotes: When Species Meet Whom do we francie when we touch a dog? Diogo Martins rated it really liked it Oct 28, In many ways Deleuze’s readings of Bacon vocalize anxiety, to an extent.

Gilles Deleuze, Francis Bacon: The Logic of Sensation – PhilPapers

The Advancement of Learning. In some contradictory way, I think that it is precisely this formalistic character which explains the continued appeal of Deleuze in art circles today: It was translated into English by Daniel W. In this landmark text by one of the most influential philosophers of the twentieth century, Gilles Deleuze takes the paintings of Francis Bacon as his object of his study. Lists with This Book. Whether he’s discussing Bacon or the blank page, the logic of sensation or the history of western painting, Deleuze is thought provoking as he, using Bacon as a vehicle, delves into the convergence of art and philosophy that occurred in the twentieth century.


A Commentary of Bacon’s “Advancement of Learning”. This book is not exclusively about Bacon’s paintings, however; as the quote above reveals, Deleuze is more broadly concerned with art, aesthetics, and philosophy.

Sensations Spill a Deluge Over the Figure.

What Is a Triptych? Gabriel Goh rated it really liked it May 21, Egypt and haptic presentation – Essence and accident – Organic representation and the tactileoptical world – Byzantine art: This page was last edited on 7 Marchat And so the Figure, form that reassure us of our identity, “disappears in the process of the breaking and becomes the Figural, a kind of in-between the figurative and the non-figurative”.

Not the best Deleuze I’ve read, but combines things I still have some affinity for.

Notably, within his metaphysics he favored a Spinozian concept of a plane of immanence with everything a mode of one substance, and thus on the same level of existence. Sign in to use this feature. May 20, Niklas rated it liked it Shelves: Or go the museum and see the stuff directly. The morphed and deformed Figures are the sensible form related to a sensation.


Francis Bacon — University of Minnesota Press

Study for a Portrait of Francis Bacon film. But it wasn’t for me. Feb 17, Ayanna Dozier rated it really liked it.

Here he is simply superimposing his own affirmative philosophy onto his object. A Multiplanar Theory of Spatial Planning and He postulates a common “logic” that deleuxe all these various choices. Who was Gilles Deleuze? In What is Philosophy?

Thus, he argues for deformations rather than transformations and the line and the figure speak to the sensations within the body and the spasms that then occur from such sensation. Selected pages Title Page. For, despite his attentiveness to specific artworks, it is not really art that interests Deleuze.

rhe Cinema 1 The Movement-Image A revolutionary work in philosophy and a book about cinema that identifies three principal types of image-movement using examples from the work of a diverse group of filmmakers including Griffith, Eisenstein, Cassavetes, and Altman.