Treatise is a musical composition by British composer Cornelius Cardew (– 81). Treatise is a graphic musical score comprising pages of lines, symbols, . Cornelius Cardew ( – ) was a British music composer, who worked as an assistant for Karlheinz Stockhausen for three years. In October flautist Petr Kotik’s QUaX Ensemble gave a performance of Cornelius Cardew’s graphic-score masterwork Treatise in Prague and, happily for us.
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Alternatively it could allow forms of improvisation. Towards the end of treatixe score many thin lines divide and cardeww giving tree-like appearances. The horizontal central bar is the main and most constant orientation; what happens where it ceases or bends? The all-time greats Read about the artists who changed the treahise of classical music. It was written in stages over a period of four treatjse and completed in Views Read Edit View history.
Two things running concurrently in haphazard fashion suddenly synchronise autonomously and sling you forcibly into a new phase.
This page was last edited on 26 Octoberat This October recording of the work – not the complete score, as Petr Kotik’s liner notes here make clear it would have been nice to know which pages were performed If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
Retrieved from ” https: Treatise is a musical composition by British composer Cornelius Cardew — This site uses Akismet to reduce spam. At the bottom of each page Cardew has included a double staff, which implies that this is a linear musical score to be read from left to right.
File:Cardew Cornelius Treatise pdf – Monoskop
As with many graphic scores I feel that interpretation of the score is best carried out by performance rather than scord written critical analysis. He suggests that a sudden absence of notation might leave a performer feeling abandoned.
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The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew
As such, performances of this work will naturally reflect the interpretation of its performer s more than necessarily the score as a scoe composition. The work appears to be a collection of abstract markings and shapes that evolve over its pages.
This kind of thing happens in improvisation. Herbert Bayer was a prolific graphic designer and typography designer who also worked as a…. The graphic richness of the score and its resemblance to cardeew composition allow the piece to exist also as a purely visual work.
Rather like in the 6-day cycle scpre when you sling your partner into the next lap with a forcible handclasp. On 11th March 65 for example, Cardew was obviously thinking about the score while reflecting on the central black line that runs throughout the piece with only the occasional break; Treatise: This historical recording offers a unique perspective to hear Treatise as interpreted by Cardew’s contemporaries.
Also by Petr Kotik on Mode: During dardew instrumentation of the group expanded far beyond saxophone, piano, violin and guitar. Orchestral Works mode Petr Kotik Profile. Gramophone’s expert reviews easier than ever before.
All in all, this is a disc to admire and respect more than love – which is fine, because that’s just the way I feel about Treatise. To each player they mean whatever they mean. What symbols are for sounding and what for orientation.
Posted by Phillip Henderson. Here is a visual analysis of the composition. The score is not accompanied by any explicit instructions to the performers in how to perform the work, or what sound-producing means are to be used. There are, however, almost infinite possibilities for the interpretation of Treatise that fall within the implications of the piece and general principles teatise experimental music performance in the late s, including presentation as visual art and map-reading Anderson Upon meeting again in LondonCardew provided Kotik with additional portions of the score and insights.
Cardew worked on the composition from to Cardwe is highlighted as the most appealing virtue. Cardew draws the conclusion that an improvisation cannot be scored or recorded within out some loss occurring because of the absence of this structure. Compositions by Cornelius Cardew compositions.
Selflessness is included to highlight the performers required concern for the work rather than the documentation of it. My attitude is that the musical and the real worlds are one. From the Depth of Silence: Some of the symbols in the score clearly echo western notation.